The Book Spy

The Book Spy
Me and My Collection

Friday 25 December 2015

Literature In Practice

Here is the test: has, over the years, reading these great books of literature and working out what makes them great helped me to understand and cope with life in the face of deep loss?

My interest in the Nobel Prize begun when I was at Uni and it has become a very big part of my life.  I have spent at least one dedicated year buying books by Nobel Prize Winners on a weekly basis.  In terms of money spent I would think it would easily be in the hundreds of pounds, in terms of time reading, reviewing and looking at those books it has also been substantial.  The collection was at least three or four bookshelves all double stacked, a layer of books in front of another layer of books, with books lying on top horizontally.

Because of a series of complex circumstances that have occurred in the last few months I know have almost nothing of that collection left.

The number of Andre Gide books, of which I began buying before even knew about the Prize, and the large number of books by Anatole France that I had been amazed to get, along with borderline rare books like Jacinto Benavente's collection of plays are no longer in my possession.  Others books that I don't remember have gone and I am putting some effort to preserve the blankness of my memory of what I had.

Some remain with me.  Most of what I had of Doris Lessing is still around, some of Samuel Beckett is here- very glad that Mercier et Camier is still around- and most importantly the best book in the whole collection, Auto-Da-Fe by Elias Canetti, is still with me.  From this I can keep going without the grief being total.

These lost books can be replaced with time and at this moment that this blog really comes into its own as a record of what I had, what I enjoyed and used, and that eases the loss.

For all that I did not read I am glad that I managed to have read as much as I could and put some of it to good use.

Some books I know I won't see again, others won't be too difficult to get hold of, every year there is at least another shelf to read from a new Winner, it all keeps going- as Beckett says 'I can't go on.  I'll go on'.

What is incredible is how people have managed to find this blog and have commented on it, which is wonderful.  I am very grateful for every person who wanders onto these pages and stay to explore what I have to say.

To everyone who has kept with me I wish you a very merry Christmas and a very happy New Year with love and solidarity.

All the best.






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Thursday 8 October 2015

Winner of the Nobel Prize for Literature 2015





Svetlana Alexievich has been awarded the Nobel Prize in Literature for this year 2015.

It was given to her for her "for her polyphonic writings, a monument to suffering and courage in our time"

I wrote this about her last year considering her to be a candidate for the Prize:

'Svetlana Aleksijevitj was born in the Ukraine and has written about the Chernobyl disaster in her book Voices From Chernobyl as well as about the Afganistan war, Boys of Zinc, and World War II, The Unwomanly Face of the War and Last Witness: the Book of Unchildlike Stories.  Her technique of 'mixing eloquence and wordlessness' conveys the rawness of a world reduced of humanity, in a dangerous atmosphere with political and media silence over important events.  She has been persecuted as well as prolific giving her the mettle of a Nobel Prize Winning candidate.'

She is the fourteenth female Nobel Prize winner for Literature.

This blog may has it's quiet periods but it will always try to cover the announcement of the Nobel Prize for Literature each year.  
 

Congratulations Svetlana for your achievement! 

Friday 5 June 2015

Gunter Grass

Gunter Grass died on April 15 2015.
I have not read any of his works other than a few poems, of which I found delightful.
Praised by the Nobel Prize Academy for  "whose frolicsome black fables portray the forgotten face of history" he is an intriguing choice, mainly for the revelation that he was a member of the Waffen-SS in World War II.  Should have the title be stripped from him?  Is he still in the 'ideal direction'?  If the Academy knew about it would they have chosen differently?